Mirror View Furniture : Oriental Minimalist, Wenxin in Song Dynasty
The spiritual texture of China is poetic belief, and it is the Song Dynasty that transformed this belief into social life. From conception to shaping, Mirror View reflects the two Song Wenxin and Oriental minimalist aesthetics that have influenced the millennium. The chief designer, Mr. Kong Wu, is an admirer of Song Dynasty to Jane culture and art, a follower of traditional furniture craftsmanship, and has his own culture of Song Dynasty. Unique insights, through the study of Song style ceramics, painting, calligraphy, book publishing, garden architecture, tea art, poetry, furniture, etc. For example: the bed, black-painted chess case, and flower table in Xiaozhao's "Zhongxing Rui Yingtu" in the Southern Song Dynasty The black lacquered thin-legged desks and incense tables in the "Book of Female Filial Pieties" in the Southern Song Dynasty, to peek into the conduct and lifestyle of the literati and scholars in the Song Dynasty, to appreciate the peak of Chinese elegant roads, and to appreciate the classic dynasties of oriental minimalist culture.
The mirror view inherits the oriental minimalism, generous, concise, and beautiful shape design of the Song-style furniture. The product focuses on the cultivation of lines and the quality of raw materials. It uses the precious mahogany-Indonesian black rosewood as the original material, combined with modern living habits, such as : The chair develops from a low seat to a high seat according to ergonomics; the "s" type backrest of the backrest chair conforms to the spine structure of the human body, and the seatbacks are all tilted backward by an angle of 3-5 °, which is the most comfortable angle for the human body; The seat ring satisfies people's natural support needs. The seat plane is concave inwards, which has a certain cushion to the human hips and reduces the pain and numbness of the human body after sitting for a long time.
The mirror view is comparable to the beauty of the Song Dynasty, and reproduces the simple and elegant human culture of the two Song Dynasty. For example: on soft decoration, the mirror view continues the freehand painting painted in ink in the Song style to embellish the product space; the color tone is mostly elegant and simple solid color; the space The environment uses rockery, bamboo forests and other elements to create a rocky valley and a landscape of mountains and mountains. The product, soft decoration and space all present the aesthetics of the Song Dynasty ascending to Jane. The use of products to realize the "integration of man and nature" in Chinese culture, weakening the sense of weight of traditional mahogany furniture, and giving a slim shape to the world reproduced the glory of the Song Dynasty.
The Song Dynasty was the peak of material civilization and spiritual civilization in the whole period of Chinese history. Song style aesthetics was the peak of the development of Chinese classical aesthetic thought. The Song Dynasty aesthetics was born in a broad cultural background and deep cultural soil. It is full of rich cultural atmosphere and the taste of books. It has become the standard paradigm of Chinese aesthetics, reflecting the characteristics of academic aesthetics, and meeting the aesthetic needs of daily life and sentimentality. The Song Dynasty created a period of "poetic life", which gave birth to a poetic life, became relaxed and natural, and formed the most charming cultural characteristics of the entire Song Dynasty.
Jane Yuxing, Yayuyun "Xing" is natural and simple, "God" is elegant and noble. The product lines are smooth and straight, the tenon and mortise structure, the shape is biased towards modern simplicity, the soft decoration is mainly based on simple and traditional Chinese elements, and the furnishing space environment is based on the garden architecture of the Song Dynasty. The bamboo forests and mountains and rocks form an elegant mood to shape the overall space. The minimalist natural, elegant and noble life atmosphere during the two Song dynasties.
Jingguan New Chinese furniture incorporates a variety of materials, such as leather, wood, metal, stone, etc., in the product design. "It is not limited to the ancient, not to the past". The classical tenon and mortise and engraving craftsmanship, and the materials commonly used in modern times, make the product not only retain Chinese culture, but also meet the aesthetics of modern life. On the background of design culture, designers integrate a variety of cultures in products and spaces, such as: painting art, garden architecture, ceramics and other cultures. Through the integration of multiple cultures, the Song-style minimalist aesthetics are expressed from different angles and present the Song Dynasty The ultimate taste of life.
Mirror View incorporates the Song-style painting art into the product's soft package and soft decoration, which enhances the freehand landscape and scenery to enhance the elegant mood of the product. The display environment is based on the Song Dynasty gardens. For each series, an exclusive garden is built. For example: Yunshen, knocking chess series and pine and cypress all give people an atmosphere of vitality. The combination of the two can highlight the elegant temperament of the product. . Each product continues the design characteristics of Song style furniture: with practical functionality as the main visual aid, the traditional Chinese tenon and mortise process is retained, the furniture is improved according to the needs of modern life, the line structure is simplified, the use of functions is enriched, and the product's internal temperament and external appearance Integrate in function and beautiful form.
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